Foto: Dima Brickmann
Reviews
Markus Stockhausen
Reviews
Here you find a selection of reviews (more reviews can be found on the German page. We didn't translate all):
Course with Markus Stockhausen in Gran Canaria • The course had an interesting end with a great concert International Trumpet Guide, 02.10.2007 about a Workshop with Markus Stockhausen
dodging any simple description or category affiliation • They also worked the room in poetic, spatially conscious ways. Opening their set, the pair entered slowly from the wings with long tones, and to close, they engaged in a dialogue from far corners of the room Los Angeles Times about Duo Moving Sounds, 01.12.2006
Flowing kaleidoscopic landscapes • The trumpeter/flugelhornist constructs pensive, brooding improvisations of acoustically pure sound, causing the music to swell to huge proportions as it commandeers the aural senses, Frank Rubolino about "Lichtblick, prima... altrove" 01.02.2005
An enthralling and evocative essay in sonority • Most of all, though, it's an enthralling and evocative essay in sonority, beautifully shaped, full of ravishing sound complexes, and one that Stockhausen played with consummate authority The Guardian, 08.07.2005
Rooms built out of the transitory material of sounds • Markus Stockhausen and his partner Tara Bouman opened worlds of sound through their performance, which the audience ever and again shifted into conditions of a certain ecstasy Badische Zeitung about Duo Moving Sounds, 25.09.2002
Their union oscillates between rap-inspired secular intensity and overt spiritua • The trumpeter’s vibrant and reverberant tone again sets the standard for this set that also features pieces with either percussionist Marcelli or clarinetist Bouman. Together, the brothers Stockhausen cause the music to take radical turns Frank Rubolino about the CD "nonDuality", 30.11.1999
Stockhausen’s gorgeous vibrato-drenched phrasings, spiced with majestic themes • On “Es war einmal” Stockhausen leads a bass-less trio, armed with golden-toned sound and lyrically charged articulations read more • www.allaboutjazz.com, 06.06.07
dodging any simple description or category affiliation • They also worked the room in poetic, spatially conscious ways. Opening their set, the pair entered slowly from the wings with long tones, and to close, they engaged in a dialogue from far corners of the room • Los Angeles Times, 01.12.06
an enthralling and evocative essay in sonority • Most of all, though, it's an enthralling and evocative essay in sonority, beautifully shaped, full of ravishing sound complexes, and one that Stockhausen played with consummate authority • The Guardian, 08.07.05
Their union oscillates between rap-inspired secular intensity and overt spiritua • The trumpeter’s vibrant and reverberant tone again sets the standard for this set that also features pieces with either percussionist Marcelli or clarinetist Bouman. Together, the brothers Stockhausen cause the music to take radical turns • , 30.11.99
Flowing kaleidoscopic landscapes • The trumpeter/flugelhornist constructs pensive, brooding improvisations of acoustically pure sound, causing the music to swell to huge proportions as it commandeers the aural senses • , 01.02.05
Rooms built out of the transitory material of sounds • Markus Stockhausen and his partner Tara Bouman opened worlds of sound through their performance, which the audience ever and again shifted into conditions of a certain ecstasy • Badische Zeitung, 25.09.02
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